Showing posts with label criminal minds. Show all posts
Showing posts with label criminal minds. Show all posts

Friday, February 27, 2009

The Problem

with this sentence is not just the obvious

Wishing for more female superhero movies is kind of like longing for more Sex and the City knockoffs with all-male casts.


It's also that I think that sounds like kinda of a fun idea. (Even ignoring the slash that was unintentionally implied.)

Because I am now picturing Reid and Morgan having gab fests and heart to hearts with Charlie and Don. And then going off on dates with all kinds of interesting people. And coming back together and gabbing some more. While they shop for Reid's pocket watches.

And it amuses me muchly.

Two Reviews, Ten Words, And a Little Punctuation

(I am attempting to be more concise with my writing.)

Last week's The Dollhouse: huh?

This week's Criminal Minds: yay!

Sunday, February 15, 2009

Who Else Could Bring Me Out of Hibernation but Joss Whedon?

So.

Now that the first ep is out, I've decided that the thing that is going to bug me most about Dollhouse is people talking about Dollhouse. (irony is my middle name) Well, ok, so I should really know better than to venture into the TwoP forums, but still - who the fuck says this:

[Echo was c]oerced by circumstances, no doubt horribly lied to about what would happen afterwords (as discussed elsewhere I'm SURE the Dolls never actually get "out") but yes it was voluntary.


Dear TwoPer with yet another punny name - Did we watch the same episode? Cuz if we did, you need to learn what the word coercion means and how it affects the legality of agreements and contracts - written and otherwise.

Seriously, the only thing that's going to make me go ew more than the prostitution/rape/sexual slavery angle is people arguing that Echo actually consented to all this. (Based on the little clip we were given at the start of the pilot, anyway. I don't know what the future holds.)

Anyhoo...

as far as the pilot itself...eh. If it wasn't Joss I wouldn't be watching. Or at least not going out of my way to do so. And if that's the reworked pilot, I either really don't want to see the original or really want to see the original.

(From what Joss has said about it, I'm actually guessing the latter, bc the actual pilot is a typical "let me hold your hand and tell you how it's going to be" pilot and I don't think I need that for Joss shows, but I understand why that's the better choice for network TV.)

My biggest complaint is that it didn't feel terribly new and it felt like there was far too much given away in the beginning. Mostly - the bit about how Echo got there should have been kept a secret for at least a few more episodes. Possibly the rest of the season. It would have been much better to find out when Echo did (or maybe just a little before) not when Caroline knew.

Also, the plethora of details about the cop was a bit gratuitous (or maybe it was just the stupid intercut fight scenes). Maybe CM has me spoiled, but I've come to believe that economy is key in character development. All I needed to know about the cop was that he was willing to threaten a not-quite-civvie with a gun despite getting heat from his boss - and I really didn't need that last part beaten to death. Anvils were great for Buffy, Dollhouse feels like it should be more subtle. Really, honestly, a single line would have been much better than a long drawn out pissing contest - multiplied for effect! And it would have given him a chance to save the cat - or something.

That said, the last bit can stay in. That's the way to get them coming back. it could have been done better, but nice start with that there.

Overall, bc of the whole ew factor and the OH GOD WOULD SOMEONE PLEASE SAVE ME FROM FOX'S ANNOYINGLY SEXIST BULLSHIT ADS AND PROMOS THAT FLAT OUT SAY THAT WOMEN ARE WORTHLESS IF THEY AREN'T SEX DOLLS EVEN IF THEY ARE FUCKING SAVING THE WORLD?!!??!!?!?? I probably wouldn't be watching if I hadn't stumbled across this interview:

We wanted to talk about it...human sexuality and how it drives us and why it’s important to us.

And the idea of objectification versus identification, these are all things that I’ve been working on all the time...

...are we actually making a comment about the way people use each other that is useful and interesting and textured, or are we just putting her in a series of hot outfits and paying lip service to the idea of asking the questions.

...I think some things will offend some people, some things will not. There are things in it that I’m not positive I support, and some of the things that bother me don’t bother any of the other writers....part of the point is to look at these gray areas and to see what of this is unique in us, what is it we need from each other, how much do we objectify each other, how much do we use each other, both men and women, and what is actually virtuous.

One of the problems I ran into early on... was [the network] didn’t really want to deal with those issues having bought the show....It’s a classic network problem. You want to evoke this, but then they don’t want to say anything....We’ve struggled with making sure that the show doesn’t, by virtue of playing it safe, become offensive, because the idea of this show was never to play it safe. The idea of this show was always to be in your face about it.

....The idea is to get the audience to look at their own desire, and to figure out what of it is acceptable, and what of it is kind of creepy. In order to do that, we go to a creepy place sometimes, and I will be very interested to see if people find it empowering or the other things. I may have crossed the line. Let’s find out.


I don't know if he's explained all this before and I just missed it, or if Rachel is just a really good interviewer (quite possible), or if the other articles did their best to cut that shit out*, but the fact that Joss is very aware that of the whole prostitution/rape/sexual slavery angle but in fact seems to see it as one of the main themes of the show puts my mind at ease - at least a little bit. As does the fact that he quite aware of the dangers of both selling out and of not selling anything at all. I'm still watching with a critical eye, but I am watching. And very much hoping Joss makes this worth my while.




*The Salon article linked in the TwoP forum, for example, quotes Joss as saying "I believe that prostitution is not, in concept, repulsive," but the interviewer doesn't go back and ask him how that relates to what he said earlier about human trafficking or the question of wether or not the Dolls are coerced. Nor does Joss go into more detail about why he thinks that making the show hot but having less actual sex - as requested by TPTB - is offensive. Without the interview above, it sounds almost like Joss really believes that he his created a sci-fi premise for prostitution without having to deal with the power imbalance of it all - shades of the fundamental problem with "companions." Taking into account the interview above, it sounds more like Joss has taken those critiques to heart (at least a little) and while the Dollhouse is in no way an apology or a concession it is very much a deeper exploration of those issues.

Wednesday, November 19, 2008

Criminal Minds at Paley Center - Introduction

First, Monday night was awesome.

Secondly, I drove, like, all over SoCal that day - including going out for drinks all the way out at Shoreline Village in Long Beach after the seminar. Which means I'm still recovering. Which means this recap is much later than I'd meant for it to be. Which means my memory may be fading already. Which means that in order to avoid misquoting people: *this* means they said something sort of similar to what is between the asterix while "this" means that they said exactly what is between the quotes.

Now - onto the recap!

Before they brought the cast and crew onstage, they showed us tonight's episode, which was very good. It was lots of fun to watch in a theatre full of fans. It also went by really quickly. Even though I watch everything on TiVo now, so I'm used to no commericals, I tend to pause a lot to get up for snacks or even to rewind scenes because they were just that awesome so the ending kinda snuck up on me. (The quickness of it, not the general way it ended.)

But I digress. The ep was good. (Reid tells a joke. To a class full of students. I shit you not. And it goes over about as well as you expect it to. And this week's shoutout goes to Numb3rs. And interestingly enough, it is more of a shoutout than a pointing and laughing kind of thing. There was a little bit of mockery, but much less than CSI got.) The ep was really good, actually. No surprise there.

Even better, though, was when it was over and they brought everyone out!

Kristen came first, then AJ, Ed, and Deborah. Which made sense because then no one had to walk past anyone else to get to their chairs. But then they mixed it all up and out came Matthew (who practically bounded down the stairs) then Shemar, Paget, Thomas, and Joe - except that they all sat in the reverse order. (It may be that Kristen, AJ, Ed and Deborah are the smart ones of the group and Matthew and the rest simply messed everything up by sitting in the first seat instead of the last. Or it may be that the Paley Center wasn't really thinking logistically. dunno.)

The point of this excess of information being that everyone in the front row had to awkwardly squeeze past increasingly more people to get to their seat - which lead to Thomas doing a fake dive past Matthew, Shemar, and Paget towards his chair.

Thomas Gibson? Is an absolute freakin' clown.

(and I mean the funny kind, not the scary serial killer kind.)

Sadly, I shall have to leave you hanging for now.

More to come, I promise!

Edited to correct Deborah Spera's name and to include Paget - how did I forget Paget!!!!!!??????

Thursday, October 23, 2008

Dear Networks:

STAY OUT OF MY FREAKIN SHOWS!!!!!!!

or at least, if you are going to insist on "happy" endings, give the kick-ass writers you hired enough time to come up with something less.....hollywood ending-ish.

Saturday, January 26, 2008

Girlie Books



heh.

For all the talk about how required fiction in schools is very girl centric, the truth is that while most well-read women have read a decent number of the classic "boy stories" there are very few well-read men who have read Little Women, Anne of Green Gables or the like. (The one exception being Little House on the Prairie which actually is sometimes read in school, owing in equal parts to the TV show and Laura Ingalls Wilder herself being a teacher, imo.)

And this is why I love Buffy. Because it's written by someone who has actually read Little Women - or at least is aware enough of the story to know the special place that Christian Bale as Laurie occupies in our ....hearts.

On a similar note, the closing quote from the latest episode of Criminal Minds was from the creator of our dear Anne Shirley*.

For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won....

Yeah. There's a reason why I love Criminal Minds.

Well, several, actually. :)




(CM screencaps from Oracle of Quantico)

Speaking of TV shows that make me like TV...I finally saw last weeks episode of Numb3rs - "Power" - and wow. If only rape could be dealt with even half that well on even half the crime shows on air.



*I admit it. It took me a few times to realize that "Lucille" = "Lucy" :)

Wednesday, December 12, 2007

Trust

I have a post stuck somewhere in draft hell about trust and experience and how people interpret the books they read, the movies they see, etc.

Reading this comment over at Random Thoughts and watching Criminal Minds tonight made me think of it.

The gist of the comment at Random Thoughts was this:

You see, you say something like this and you get messages of support.

I say something like this and get told that I shouldn't be saying women should go out and make comics. Of course, I was a lot more confrontational, but still.


Tammy's response was:

I'm sorry. I know it ain't exactly fair. Sometimes gender does count for more.


Which, well....as a fan of Tammy's books, I hate to disagree with her because it reminds me that she's merely mortal, but.....as a fan of comics and scifi and fantasy and books and movies and TV and lots of other stuff, I have to call bullshit.

All reading, viewing, listening, etc. involves a certain amount of interpretation.

So, I don't listen when Tammy says this but ignore people like her commenter because Tammy is a girl and the commenter is a boy, I listen to Tammy because I actually know who the fuck she is. Relatively speaking, anyway. I've read her stuff, both fiction and non-fiction, and I have a general idea of where she's coming from so I can read between the lines a lot better than when I run across some random person I've never encountered before.

Now, it's true that being female generated a certain amount of initial trust back when I started reading her books. Or, well, not trust, exactly, but a certain amount of capital when it came to risk analysis. (Cost of book versus chance it will suck.) Not because of anything to do with biology, but because of socialization. Hers, not mine, that is.

Mickle is quite aware that male authors are capable of writing female characters worthy of mountains of praise. But she has noticed that male authors are more likely than female authors to write books that get lots of fannish praise - but also include female characters that make her want to raise invading armies.

More importantly, unlike the guy who is suspicious of the female mechanic because he's never dealt with a women who knows anything about cars before, logic and basic understanding of the culture I live in support my risk analysis rather than contradict it. A female mechanic, after all, is more likely to have faced a lot of discrimination than oh, say, actually been able to sleep her way into a job. (I've never really gotten that. At least not how common such accusations are, anyway. Are women so completely devoid of logic that we would willingly do two jobs for the price of one? en masse? Anyways.....) However, considering how often the male experience is treated as the default, it unfortunately makes a lot of sense that a not insignificant number of male writers, both good and bad, would write women that sound fake.

Still, despite all that, gender was a tiny fraction of my consideration when deciding whether to spend all of 5 bucks on one of Tammy's books. The main factor was the vast amounts of praise her books always got, and who was giving the praise, and what the praise actually was.

The same logic and risk analysis comes into play whenever I decide how to spend my money and time.

The point of my previous (and now molding) post on trust and interpretation was that while I ignore a lot of stuff that might otherwise piss me off as long as it comes from writers that I know, I don't do this out of some misguided sense of fan loyalty. When Julia Quinn's heroes start acting like jerks, I don't ignore my feminist sensibilities because, golly gee willickers, that Julia person seems like a nice girl! I keep reading because I know from experience that there's going to be a payoff a chapter or two down the line.

As a more accessible example of what I mean (since I'm guessing a limited number of my readers are Julia Quinn fans), tonight's episode of Criminal Minds started out with an opening that would have had me switching channels if I didn't know the show already. Not only is the girl who is kidnapped the silly girl who doesn't listen to all the scary warnings about teen girls gone missing! she's also kidnapped while out alone, at night, with her boyfriend. Making out, of course. With suggestions of much more to follow. Bad slutty teen girl, you broke one the cardinal rules of being in a bad horror flick! You must be punished!!!!!!!!

However, not ten minutes later, my double crush says one of the many true things that are acknowledged more often on Criminal Minds than on any other show I've ever watched - that the evil, bad, monster who is raping, torturing, and murdering women does it (in part) because he hates women. And not "hates women so much it's made him crazy crazy crazy!" But "he's messed up enough to kill and he doesn't think too highly of women." The "is willing to commit murder" and "really dislikes women" are connected but not necessarily dependent upon one another. (Thus the constant reminders that cruelty to animals is part of the homicidal triad.)

Every time one of the characters says something like tonight's "Well, we know what he thinks of women." I want to send the writers a lifetime supply of brownies. Especially when it's followed up by "he's a part of this community" - in other words he's not some monster hiding in the shadows, he's one of you. He's a husband, a father, a co-worker. Then I also want to send them milk to go with the brownies.

-mental reminder to donate to the writer's guild - BAD MICKLE!-

And that's before you get to the subplot of rape victims not being believed, the conversations between the victims that revolve around them worrying what other people think of them, and the conversations between JJ and Hotch about what it's like to be the target of so much violence* and the fine line between not caring enough and being consumed by empathy.

Honestly, I wasn't overly impressed with this episode. But part of the reasons why I love Criminal Minds is because the more I analyze it, the more I agree with it. And the more I re-watch seasons 1 and 2, the more I'm convinced that there's a lot being snuck in there that works as commentary about the bad trends it's supposedly a part of.

Like violence on TV.

I was cringing through a good chunk of this episode. The stuff they were describing? Yeah, I can totally see a victim of that being extremely eager to convince herself that everyone is right, she was lying, it never happened to her. But - they never actually show any of it. It's all suggestion.

Fast forward to the opening of tonight's CSI:NY and one of the many reasons why I stopped watching the CSI's a long time ago: several shots (maybe even a full minute or two of screen time) of a dead guy with a big gaping hole where is mouth, upper chin, and nose used to be. That? DO NOT NEED.

Now, this isn't to say that the CM writers don't fuck up (scroll down to the third *). But it does mean they do so less often. And that when they don't, they sometimes get it really, really right. I'm all for less violence towards women on TV, but I much prefer CM's more realistic portrayals and stats to CSI:NY's statistically negligent man whose mouth was blown off by an exploding cigar.

Anyway, back to the main point.

It may be that there is more back story to the comment on Tammy's post, but, well, to go with the themes laid out so far (or, attempted to, anyway)...this is an argument that I've seen come up several times before. And the people crying sexism** when feminists note the gender of the author, or people listen to the Tammys or even Ragnells of the world more than the random dudes out there....they are often people who can't seem to differentiate experience from discrimination, caution from accusation, example from bullying.

If I ignore you, or even berate you, because I misinterpreted what you said, the fault isn't necessarily mine.

The fact that CM warms my heart - despite my being heartless, bitchy feminist- that doesn't mean that CM's opening scene tonight wasn't stupid.

It was. Very.***

Likewise, if I misinterpret what you are saying because it sounds a hell of a lot like what really stupid people say...that's not really my fault. The likely explanation is not that I'm a mean feminist who thinks less of men, but that I misinterpreted what you said because you began it by making it clear that punishing slutty teen girl with a serial rapist/murder/torturer was considered to be appropriate. Or, it could be that experience, logic, a basic understanding of human nature, and risk analysis predicts that you are blind to the fact that she is being punished at all.

Then again, it simply might be useful to establish a certain amount of trust and understanding before we delve into complicated topics.



*technically, the conversation is about what it's like to have so much in common with so many of the victims. But again, an interpretation that takes past episodes into account - which we are obviously meant to do, what with two echoes of Vigilante!Elle! in the same episode - reminds us that JJ isn't just like the victims. Aside from the FBI training, she is the ideal victim - at least in TV land - and has even, like Elle, played the victim to get the case solved.

**unsurprisingly, such people also tend to call this "reverse sexism" -sigh- I'll just leave that one be for now, 'cuz I'm all out of outrage tonight. Except as directed towards my family and my inability to communicate to them the political and social ideas that are the driving force behind my chosen career path. I really think they believe I just love books that much. Game Nights are apparently just bribes. -sigh- sorry for the digression, I had a long fight with my dad and sister tonight about the writer's strike. not fun.

***It was made less so by the team talking about how well executed the attack was; it's clear that the unsub was, um, talented enough to have found someone to grab. This was cancelled out, however, by the scene where the second victim blames herself for what happened to her, and nothing in the episode contradicts this. Although I guess one could argue that since this is the segue into the victims talking about shame.....And I was already willing to give them bonus points for showing some male flesh.....

Tuesday, December 11, 2007

Books for Boys - and Girls

I'm dropping in from my blogging vacation to say that this conversation made me think what was said when someone asked "are there enough books for boys?" at one of the YA panels at last spring's LA Times Festival of books. The panel was made up of M.T. Anderson, Coe Booth, John Green, and Nancy Werlin, in case anyone cares.

1) Everyone agreed that this was (mostly) bullshit.

2) John Green partly dissented. But his argument was not that there aren't enough books for boys, but more that most of the books with teen boy protagonists tend to be, well overly stereotypical. They are almost always heavy on the action and adventure and light on the emotional chaos of being a teen boy. In other words, there are too many Eragons and not enough An Abundance of Katherines. Although, needless to say, that's not quite how he put it.

3) Everyone agreed that the best way to get your book challenged and/or sent back with lots of red marks from the publisher/editor was to include a female protagonist that has sexual desires/experiences (like, gee, most teen girls) and isn't punished for having them (sadly, not quite as universal).

And on that note, in case anyone cares what I've been doing during my unplanned vacation from blogging: I've been out of state for Thanksgiving, interviewing for full time library jobs, and thinking really wicked thoughts about this fictional man and this real one. Not, um, all at the same time.

(more pretty pictures here - you have to look for mgg yourself to see them - I'm too tired tonight to get around the site's security)

PS - because I know everyone cares - my niece can read and write now. (sort of)

Thursday, September 27, 2007

XI

I just got home from being at work (or on my way to and from work) since 9:15 this morning


........only to discover that tonight's Criminal Minds season premiere has been erased from the PVR.



Now I have to wait another week before I get my first Matthew Gray Gubler fix in months.

I want to smash something - only it would wake everyone else up.

Sunday, September 16, 2007

Going Round in Circles

Yet another good example of why "the fan base demographics is the reason for character demographics" argument is a circular argument - and a blindingly stupid one at that:

PlasmaRit takes on David Gardner of EA games at Girl in the Machine (hat tip Jade Reporting), and his reasoning for why women don't like games, and finds him unable to differentiate between inclusiveness and variety of game play (and therefore unable to recognize that both are appealing).

The Logic

So - one common explanation for the gender breakdown of characters in games is the gender demographics of people who play games.

One common explanation for the gender breakdown of characters in action (or scifi, etc.) movies is the gender demographics of people who go to see action movies.

The idea, I guess, is that men consume the media, men make the media, and men sell the media - so the media is about men.

Simple and certainly not lacking in truth - if we stop there.


A Thought Experiment

Let's suppose a director generally known for making action movies makes a disaster movie where the action centers around a young woman who falls in love with someone unsuitable during the disaster (and the days leading up to it). Let's have some fun here and pretend this movie was not only a blockbuster, but was a blockbuster because women made it one. I know, I know, that's practically impossible, but hey! crazier things have happened....

Now let's say we want to recreate that success. Or at least learn some lessons from it. What lessons have we learned?

a) women like movies with suspense and action

b) women like movies about relationships

c) women like movies in which they are actually included

d) all of the above

e) none of the above



The Non-Earth Logic

According to "the fan base demographics is the reason for character demographics" argument. The answer is either C or D.

Except that apparently it's not, because the argument is most often used to explain why certain genres tend to exclude female characters, but not why women are less likely to consume media that falls into these genres. No one ever says "But women watch TV less!" in response to accusations of sexism within that medium. But they do say things like:

"Women are treated badly in comics!" - >"That's because women are treated badly in real life."

"Most action heroes are men." -> "Men like action more."

While not always explicitly stated, it's common use as a response to accusations of inequality suggests that the people who make such responses believe that, rather than character and fan demographic affecting each other, the latter affects the former, but the former doesn't affect the latter.

Plus, this seems to only work when sexism needs defending. While the demographics arguments in this thread - both of the "reflecting the fan base" variety and "reflecting real life" variety - are not explicitly saying such arguments apply only to certain shows/games/genres, such logic is required for the argument to work.

Either that, or aliens swooped down and hijacked TV producers minds, resulting in an overabundance of female detectives.

Just sayin'

Monday, March 12, 2007

Because I'm All About Procrastination Today

First, y'all should go check out Elizabeth Bear's stuff about Criminal Minds and screwing around with gender roles.

- I can't for the life of me remember who I first saw mention it , sorry. :(

I (heart) Reid. Have I mentioned that lately?

Ok, back now? Good.

So I was looking at my stats to see what blog entries people were actually bothering to read, and one of them happened to be this one. In it I mention how annoying it is when guys (non-boyfriend guys) put their hands on my back to guide me out of the way instead saying excuse me.

WTF? Where do they even learn that?

Anyhoo, I noticed Hotch (or was it Morgan?) doing that very same thing to another male character on Criminal Minds a few episodes ago and I thought "huh, that's weird, maybe guys do it to each other too."

And then I thought about it today in light of the all the evidence that the writers of Criminal Minds have all kinds of fun playing with gender roles and I thought "Dude! They are so deliberately screwing with us! I so want to meet whoever wrote that into the show!"

Or maybe I'm wrong and it is something guys do to each other too.

Thoughts?