The Bad, More Bad, The Good, and The Messy Aftermath

So, this crap annoys me. Obviously.

******

Also, regarding the idiocy found in this article (linked to in the comments of the post above) about how they just don't make kids like they used to -

Who cares if kids nowadays don't yet know what an old-fashioned trolley is. Do you think I knew what one was when I was 5? Do you want to know how I learned what one was? By going to Disneyland every year. So, really, I think Disneyland of all places might just survive having some old-fangled machine that kids don't recognize right away.

******

However....

.....this? Is just so cute its completely distracting me from all my justified annoyance.

Help! I don't know what to do or how to feel!

(and I'm a little worried that I'm a bad person for thinking it's cute. the cultural appropriation smells a bit too fishy to me to completely pass the sniff test.

but..but...but...they remind me of those key rings they sell at my local comic shop! how cool is that? plus...her ears are crab claws. OMG!!!! I think my brain just exploded from the sheer awesomeness of ears that are crab claws!!!!!!!!)

Can You believe That One of My Friends Once Called Me Unromantic?

I was in the middle of a Buffy marathon (quite literally; I was about halfway through the fourth season) when what do I spy at Target?

Christy!



OMG!

I loved this show back in the day.

I was so pissed when they started making the preacher guy not the love interest, but by the end I was as love with the doctor as Christy was.

God, I loved this show.

(I just hope I still do.)

So...the Buffy marathon has been interrupted and the Christy marathon begins in it's place. :)

(now all i need is Avonlea, the Cadfael Mysteries and that Heidi sequel on dvd, and I can die happy)

Interesting Sidenote

The LA Times has an article today about Susan Kare, designer of the icons for Mac Classic and more, and it not only mentions that she graduated from Mount Holyoke College in 1975, which is normal enough, it also points out that MHC is an all-women's college - without that fact being referenced anywhere else in the article.

Which, I just find kinda funny for some reason.

It's like, "so and so went here. Oh, and by the way only girls go there isn't that weird?"

And omg, I want, like all of these.

Not only are they cool, they are from an MHC alum. Double cool!

Ooooh. and they are on sale. Which means they may be gone soon. I should buy myself an early birthday present. Or two.

They No Longer Spend Pitch Meetings Looking for the Button That Opens the Secret Trapdoor

You have no idea how much I wish I had a copy of the recording they did of the panel on Superhero Comics at the Festival.

Its not that I want to listen to it over and over again (it was funny, but not that funny) its that there were tons of hilarious quotes that I can't really quote 'cuz I'm not going to get them quite right. So as you read all the stuff below? Remember that it's being filtered through my crappy auditory memory. Take even the stuff in quotes with several teaspoonfuls of salt. Also, I make no claims to accuracy when it comes to the order in which things were discussed.

With that said, here goes:

The panel was kicked off with each creator being asked to describe how they got from Comics to Hollywood. Mignola and Niles had fairly similar stories. Someone fairly influential liked their comic and wanted it made into a movie. For Niles, it was Sam Raimi. For Mignola, it was Benecio Del Toro - not that Del Toro got things going, more that he kept them going and made sure that things went well. Both at this point and throughout the talk, both Niles and Mignola were very emphatic about having a powerful ally working on the project who was also a fan of the comic itself being essential to it being a decent movie that still resembled their work. Or something like that, anyway.

Loeb said that it went the opposite way for him. He had always loved comics, but started out in Hollywood instead (didn't think he could make a living at comics) and then one day DC called him up and asked him if he would like to write a comic for them.

Before I continue, (1) Loeb is an awesome oral storyteller; I very much fear that my recap will fail to do any justice to his talent. (2) I'm sure there was more to this story than he let on. See #1

Loeb said "of course!" and "Can I write Superman?" "Um, we already have someone for that." "Batman" ditto and on down the line. Turns out they wanted him to do The Challengers. (and yeah, that story is even funnier in retrospect now that I'm more familiar with his resume)

The second question had to do with graphical nature of graphic novels and whether that made them easier to translate into film. All said yes. Having pictures helps studio people visualize what you are talking about, especially when those pictures closely resemble storyboards. Loeb (or Mignola?), mimicking execs internal diologue: "Oh, so you meant this really cool spaceship, not the pencil shaped thing that was in my head." Niles also mentions that, when originally pitching 30 Days, the studio people probably pictured scores of vampires running across the snow in Bela Lugosi capes.

The next question (I think) had to do with whether or not it's easier to pitch Superhero movies now than it used to be. Everyone's reply can be boiled down to "duh - you have seen the figures for the Spiderman movies, yes?" (I kept thinking, don't forget LoTR! It's success certainly helped as well. Geeks Unite!) Someone - Mignola or Loeb, I think - pointed out that time has helped as well, that it it's not just a single hit, but several successful movies, and people getting used to the idea of Superhero movies, untill finally Superhero movies are treated as just another genre rather than an unknown. (File this thought away, it will come up again later.)

They said that it was still hard to pitch comics as movies, especially if you aren't pitching one of the big names (Spiderman, Superman, Batman) but that "It used to be that they seemed to be looking for that secret button that open the trapdoor under you." Not anymore.

One of the other things that helped, obviously, has been the advances in cg. There was talk about how they used to say that movies would never replace comic creators, because there was stuff they could do that would just look dumb in movies. You could never get Spiderman to swing from a web and make it look real! Loeb: But then (?) and I went to the screening of Teminator 2 at Comicon. Beforehand, we weren't really sure what it was going to be like because Schwarzenegger actually had to talk in this one. We left the screening and I turned to him and said "we're screwed."

They still fuck everything up, though, apparently :) (shocker, I know) Niles talked about some guy who was working on 30 Days in the script stage. Nobody seemed to get why the Vampires were in Alaska. (wha?) So this one guy suggested that maybe Vampires were searching for a diamond that was buried underground in Alsaka. (wtf?) A diamond that would make them daywalkers! "He doesn't work there anymore. Not because of that, but I think he tried pitching the diamond idea for every movie." There was also mention of certain people wanting to call the Hellyboy sequel HB2 Instead. (why, exactly would one want to do that?)

This is where my memory gets a bit fuzzier, but the conversation at some point turned to DVD sales, what is still hard about pitching Superhero movies, and how much money movies actually need to make. The gist of that part of the conversation was: studio people don't pay enough attention to DVD sales because DVDs and movie production are different divisions, but it's getting better. They always want to change lots of things, some of which needs to change because comics are so much longer than movies, some of which is completely in opposition to the heart of the story, and some of which is necessary in order to appeal to a larger audience. "The truth is that even the best selling comics only have a fraction of the audience that movies need to make money." Or something like that.

I don't remember when or why, but the topic of what terms people prefer came up (ie, comics, graphic novel, etc.) and they all agreed "comics." Niles joked about Raimi referring to comics by some complicated term "graphical something or other." Someone (Loeb or Niles) made the amusing remark to a studio person that it was ok to call them comics, "graphic novels was the term we made up for you guys!"

It was also established that we were all "geeks." "You all know the difference between geeks and nerds, right? All of you in this room right now, you're all geeks, not nerds." (I beg to differ, but then I'm the idiot that didn't even know he worked on Heroes before he mentioned it, so I think he'd make an exception for me.)

At some point Loeb told several amusing stories about working in Hollywood:

The first movie he worked on was this low budget film called Teen Wolf (cheers from the crowd) While working on it, he'd tell people about it and mention who was in it and people would say. "Oh, that kid from Silver Spoons, right?" But then two things happened, Family Ties was moved to directly after The Cosby Show and Michael J. Fox was picked to be the star of a little movie called Back to the Future. heh.

That lead to the story about the movie thought he was going to be able to retire on: Firestorm. It was starring Howie Long. No reaction from the audience to that name, prompting Loeb to say that we obviously weren't football fans. That prompted some laughter. :) He explained who Howie Long was and that the great thing about Howie Long was that you knew he could talk. Anyway, things were going well and it was getting closer and closer to the release date, and then an Important Studio person broke the bad news. The studio had just finished making the most expensive movie ever made. And it was going to completely flop. Loeb knew he was telling the truth because people were literally packing up their offices in cardboard boxes and leaving. It was going to be that bad. So they needed to release a bunch of other movies at the same time to cover their losses. Firestorm was moved from fall to January. That's ok, Loeb thought, it should still be ok.

So, the flop? Was Titanic.

His last story was about the call that got him working on Heroes. A Hollywood buddy of his called him and said he needed some advice. Loeb figured that he was buying a vineyard and retiring or something, 'cuz he couldn't think of what this person would need his advice for. So they met and it turns out that this buddy had the brilliant idea of doing a Superhero type show and needed to talk to someone who knew Superheros. They spent hours talking, with the guy pitching ideas and Loeb responding by saying, that sounds fantastic, but you can't do that, it's (insert name of character) Marvel/DC will sue you. Repeat for several hours.

That's it. that's all I remember. Recordings will be available in a few weeks, I might try and clean this up when they are released for sale.




Oh, wait.......you were wondering why I was left yelling (well, muttering, really) Wonder Woman.

Yeah, so, at some point near the end - it might have been during the questions - Loeb or Mignola made some comment about Superhero movies needing to appeal to non-comic readers in order to make money. Loeb added "like how do you get women to go see your Superhero movie?" (Or something like that anyway.) To which I muttered Wonder Woman! and started ranting in my headspace about how the arguments made earlier about Superhero movies and needing to let people get used to seeing them as just another kind of movie and not a fluke can just as easily be applied to movies with female action heroes.

Ditto for non-white (and non-kung-fu-asian) action heroes, as well, of course.

Personally, I still think Runaways would make a kickass movie. The ending is a disappointing in terms of racial diversity, but it's still a step in the right direction. (Especially if it does well enough to warrant sequels.) Plus, I think it would not only appeal to a larger audience, it would appeal to that teenage audience studios are so hung up on. Provided it's done right, of course. That's always the catch. But seriously, while the point about comic sales being only a fraction of what the movie needs is valid, better-selling is better than not-better-selling. And better-selling to a wider audience (ie, bookstore patrons, not just comic store patrons) has got to be huge plus as well. So here's to hoping Twilight is the insane success I think it will be, and to studios everywhere mining the YA lit for ideas.

LA Times Festival of Books Comics!

So....I went to the Festival of Books today, and it turned out that two of the three panels that I was able (and most wanted) to attend were on graphic novels. (Owing to the frustrating scheduling mentioned earlier.)

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The first was panel titled Comics: Superheroes of the Page & Screen and featured Jeph Loeb, Mike Mignola, and Steve Niles. Geoff Boucher moderated.

Loeb was hilarious, Mignola was pretty damn funny as well, and all three were entertaining and interesting. The overall conversation left me (internally) screaming "Wonder Woman!" But sadly, not in a good way.

Also sadly, no autographs as I was pretty ignorant of all their work beforehand and so wasn't prepared to go the the signing. More importantly, I had less than a half hour to get to the next panel, and UCLA is a freaking big campus.

**********

The second panel I went to was titled Tween Series Writing: Other Worlds and featured Cornelia Funke, Erin Hunter and Rick Riordan. Moderated by Sonja Bolle.

Funke is sweet and kick-ass smart, Hunter is sassy and funny as hell, and Riordan is just the kind of teacher you wished you had in middle school. Plus, there were tons of kids there, which was super-cool.

**********

The third panel was Reading Manga: A Japanese Phenomenon Comes to America, featuring Liza Coppola, Lillian M. Diaz Przybyl, and Frederik Schodt. Charles Solomon moderated.

This last was not quite as hilarity filled as the other two (although laughs were to be had, this is manga we're talking about), which may be due to it being made of reviewers and editors rather than writers. Or it could have been the heat. But it was still interesting and informative - if perhaps a bit basic at times, as anything involving manga (that isn't held at a con) must sadly still be.

Unfortunately, the manga fans were the ones pulling the stupid crap that comic fans gets stereotyped as doing (although, being manga fans, the "questions" centered around fanfic/art and scanlations.) I kept wanting to tell them to act their age, but the main problem did seem to be that they were.

*********

My most prized signature of the day was from multiple-Caldecott-winning-author and illustrator David Weisner, who signed my newly bought copy of Tuesday, possibly the first (mostly) wordless picture book I ever read. Since it was my love of wordless picture books (along with my love for the X-Men movies) that got me thinking maybe there was something to this whole comic book stuff, the day seemed more like "sequential art day" to me. :)

Oops! I forgot!

Also:

Angry Little Girl buttons!

Cute! Colorful! Angry!

And Lela's right, the bags did look kind of like bags of candy. Cute, colorful, angry candy.

hmmm...candy.....

Introducing Super K!

Work? What's that?






And no, that's not me. That's my big sis.

PS Since I do actually have work to do, I won't be changing the typos anytime soon, so y'all will have to live with them for a while.

There's A What On My What?

It's a little sad and scary how excited I am about this.

(excited enough to do my first ever wikipedia edit, btw)

But seriously, how cool is it that this year's Dr. Seuss award went to an early reader that was done in comic book format?



And hey! Now that I get actual weekends maybe you'll get a review of it sometime soon!

(don't count on it, though)

What Was The Question Again?

(spoilers for Juno and Knocked Up)

I saw Juno last night - and loved it. (Ellen Page is perpetually awesome.)


However, I saw it with my mom and some of her friends - and they didn't like it quite so much. They didn't hate it, but....they thought it was too easy. How could this be a lesson about pregnancy and teen sex* when everything worked out so easily?

Wha?

"It wasn't about the pregnancy," I said. "It was about relationships." The pregnancy was just a plot device.

I rather suspect their disappointment made them even more eager to see the sneak preview of 27 Dresses that they saw today. But me? I was less jealous of their getting to see it today than I had been before.** It's not that you know how it's going to end just by watching the previews, because I knew that before. It's that it seems so very unreal and fake and empty compared to the kind of love that's central to Juno.

I think a part of it is generational. Juno's main problem wasn't the pregnancy, it was learning how to navigate relationships and learning to keep having faith in other people and romantic love amidst the reality of divorce, break-ups, and loss. I think, in a lot of ways, baby boomers still believe in the idea that everybody gets a happily ever after one true love a lot more than younger generations do. Like people tend to do, they kept imagining what they would have done if they were in Juno's shoes. But they've never worn Juno's shoes because when they were 16 and first starting to figure out adult relationships, divorce was still a bad word. So instead, they focused on the part they understood - the pregnancy. They saw the people in Juno's life as being important because of how they affected her pregnancy and the baby and not how they affected Juno and her willingness to be vulnerable with other people. I'm not sure my mom and her friends really understood what Juno was really searching for throughout the movie. I know they got it in the end, but I think that they missed a lot of thematic points because it took them longer to realize it.

BetaCandy suggested the other day that

I think most people do watch movies and TV to escape reality, but that men are more likely to find escape through pure fantasy with little focus on problem solving and women more likely to find it through seeing problems get solved in fiction.

Some of the best proof for the second part of that statement that I can see is that my mom and her friends are still eager for 27 Dresses and I'm not. To them, Juno didn't do what it was supposed to do. I don't think it's so much that it didn't deal realistically with the pregnancy but that it involved pregnancy but didn't focus on relationship between mother and child, between Juno and her body and the person inside her. And yet, they thought it was meant to, giving them the impression for most of the time they were watching it that the movie was doing a crappy job of dealing with the problems it laid before the audience. 27 Dresses, however, will obviously focus on relationships in a more traditional and understandable way. Problem will be clearly presented and fixed. To me, though, Juno presented and dealt with the issue that most people my age are most worried about when it comes to relationships - who can we count on, how long can we count on them, and is it worth it if it doesn't last? 27 Dresses, however, will still give us that fairy tale ending that hampers our ability to find honest and realistic answers to these questions.

Oddly enough, Juno makes me think of The House of Mirth and class discussions on it. I didn't like it at first because I didn't understand why Lily couldn't make up her damn mind. Our professor gently steered us toward the realization that Lily's problem wasn't making up her mind, it was the fact that she wasn't free to choose what she had already decided. Lily didn't want to decide between Lawrence and Percy, she wanted to go on as she had been - single and social - but that wasn't an option available to women. Juno sets up a false either/or situation for Juno as well. I wasn't as bothered by the unrealistic "they have fingernails!" reason for not getting an abortion as I thought I would be. Because by then, I knew it was a gimmick. I already knew that it wasn't about dealing with the consequences of sex, it was about deciding to be intimate with someone. We aren't shown the flashbacks to the act that got Juno pregnant because we need to know how it happened or why she made such a mistake (which isn't ever addressed in the flashbacks), but because she keeps asking that question throughout the movie - the one she supposedly already answered - should I, or shouldn't I?


Oh, I finally saw Knocked Up a few days ago as well.


I don't get it. It made about as much sense to me as Jerry Maguire did.

So much of it just seemed - odd. Not just "why did she not have an abortion?" not just "her career stays on track? how realistic" but - "what did they see in each other, exactly?" Other than desperately wanting that fairy tale ending, why in the world did they ever try to get together in the first place?

blech.


ps - you should totally go read Amanda's take on it as well.



*Dear god, must everything be a lesson whenever teen sex is mentioned? Although, to be fair, they didn't come up with this idea on their own - that seems to be what is floating around the MSM/word of mouth.

**I work on Sundays now.

I Really Need a Vacation

Luckily, while I don't get health benefits from either job, I do earn vacation pay (and retirement $) from the library job. So I can actually afford to take some time off. Not much, because I'll still be losing hours at the store, but I can afford an extra long weekend.

I suppose it's a sign that on the day I made up my mind for sure that I was going camping in Sequoia/King's Canyon, we got this into the library:



Doesn't it look yummy?

It's so cool. I love s'mores and this has so many great recipes that I can't wait to try. And the best part is that some of them sound almost breakfast or snack-like instead of dessert-like: croissant with raspberries s'more (is that really any less healthy that the crap I buy far too often from Starbuck's?) and even and stuffed apricot s'more.

I can't wait for my trip!

(Although I'm starting to get really paranoid about packing and eating food while on the trip - Sequoia/King's Canyon is serious bear country. My stained and crumb laden car is getting a thorough washing from top to bottom, inside and out before I go.)

Welcome, Julie!

Finally, we have a new American Girl!

Meet Julie, a girl of the 70's. Yes, you read that right, a girl of the '70s. Yes. The 1970's. Which I think is supercool because so much of recent history doesn't get taught to kids because it's too "controversial."

And the books are written by Megan McDonald. How cool is that!

And OMG! here's the synopsis of the first book:

Julie Albright doesn't want to move away from her San Francisco neighborhood near Chinatown, even if her new apartment is just a few miles away... Julie tries to make the best of it by joining the school’s basketball team, but the coach won’t allow girls to play. She learns that it’s up to her to make positive changes in her new school—and her new life. The “Looking Back” section discusses the women’s movement, divorce, and other issues of the turbulent 1970s.

(emphasis mine, of course)

Awesome.

The second book focuses more on Julie dealing with her parents divorce, and the fact that it wasn't as common back then. The third deals with culture clash between Julie's family and her best friend Ivy Ling's family. It also breaks tradition by being about about New Year's instead of Christmas. (The AG books all follow the same pattern - with the exception of Kaya's: Meet [blank], school story, xmas story, spring/birthday story, summer/heroic story, winter/growing up story.)

It gets better! In the fourth book

Julie and her best friend, Ivy, find a baby owl in Golden Gate Park—and it needs help. At a wildlife rescue center, Julie meets Shasta and Sierra, two bald eagles that will be caged for life, unless money is raised to release them back into the wild. For Earth Day, Julie thinks of a unique way to tell the public of the eagles' plight. The “Looking Back” section explores the beginning of the environmental movement.

Bwhahahahaha. (Sorry, I'm just imagining the reactions of all the conservatives that like the AG series bc it's "good, clean fun.") That is just so cool.

The fifth book is about the bicentennial. (Which is another break in tradition, because the first book takes place in 1974 and the series usually span only a year and a half, if I remember right.) In the sixth book Julie runs for school president. (Nice timing there, AG. ;) )

Although, of course, we are left with one big question, and I hope you are all asking it along with me. (Especially since the American Girl books are supposed to be about the idea of American girls being diverse in all kinds of ways.) Why the hell is this Julie's series and not Ivy's? Did American Girl think that they just didn't have enough blonde girls in their line? Are we ever going to have an American Girl of Asian descent? :(

At least they do give Ivy her own book (written by Lisa Yee), like they did for Samantha's friend Nellie, Felicity's friend Elizabeth, and Molly's friend Emily, when their movies came out. Which makes me wonder if this year's movie will be about Julie. That would be interesting. But I doubt it, since they have a theatrical release movie about Kit coming out next summer.

Maybe the fall doll drawing will feature Julie and Ivy this year? The first one featured Kaya, when she first came out. The last few years have featured the girls whose movies were about to come out. So maybe this year it's back to the new girl since there doesn't see to be a fall movie. Hmmm. I hope they at least keep the drawing as being for two dolls, American Girl and Friend. At least that will mean Ivy will get more exposure than she normally would.

16th Feminist SF Carnival

Welcome to the 16th Carnival of Feminist Science Fiction and Fantasy Fans!

Before we start, I have a confession to make.

I like science fiction, I really do. Fantasy too. I like the world-building and the hypothetical plots, the technology and the magic. All the things that make it science fiction and/or fantasy instead of something else.

But I have to admit that part of my love for scifi/fantasy is really a love for action heroes. More specifically, female action heroes. I spent a lot of time as a kid looking for adventure stories that featured - or at least included - girls, and a lot of them ended up being science fiction and/or fantasy stories. Women with swords, girls with magical powers, heroines with blasters. For some reason, leaving this world behind and building another made it easier for writers - and their audiences - to wrap their head around the idea that girls could love action and adventure.

When I was younger, the main obstacle to finding girl heroes seemed to be the relative lack of them. As I got older, I kept running into the uspoken and rarely broken rule that, when they existed, action heroines must be sexbots first and action heroes last. So when I stumbled across the Ask.com commercial featuring "chicks with swords" (via The Hathor Legacy), I knew that had to be the theme when I hosted the carnival.

So without further ado, here is the 16th Carnival of Feminist Science Fiction and Fantasy Fans, chock filled with sword carrying women and all kinds of other great - or not so great - stuff.


It's a bird. It's a plane....it's Supergirl!

My thoughts on the new incarnation of Supergirl lean towards gibberish along the lines of "Pretty. Shiny. Me like. Me want more."

Fortunately, others have been much more loquacious than I.

First off, ami at Super Cute Rants of DOOM XD (totally the best blog title ever) writes about why she loves Supergirl:

Why do all heroes have to be angsty and mean? Why do they all need "reasons" to be heroes?

Can't we have some heroes who are just good ppl and dun have to become good ppl?

Why do girls need to be abused or live on the streets or be hookers in order to be heroes?

Can't they just crash land on a planet and be a hero? :D

...

Aren't we even allowed a few happy heroes? :)

Indeed, why must heroes always have "motivation"? I like characters with depth, but I don't think that means their reason for being good always needs to be complex.


Anyway, back to Supergirl.

Kalinara is one of the many who loves the latest issue of Supergirl:

Yes. Thank you.

That's what a real teenaged girl looks like. That's even what a real teenaged girl wears....She looks amazing.....Bedard's character is one I want to read about. Guedes's is one I want to see.

Brown Betty's praise is simple but oh so true for oh so many of us:

I just look at it and *siiiiiiiigh* with happiness.

A lot of the gushing over Guedes' art and Bedard's writing has happened in the forums, so I thought I'd include a few quotes from the ones hosted by Girl-Wonder.org (which I'm not sure is technically allowed, but I love this Supergirl so much I don't care!):

I have all-around feelings of joy for this issue. ^^

At last, fantastic artwork (only one upskirt shot and it didn't feel like fanservice because of the shorts!). And Supergirl actually tried to do something to fix her mistakes instead of just wallowing in it.

-Linkara

I loved this issue so hard. Supergirl - and the other characters! - looked human, and instead of sulking about her mistakes, which were so very much those of a superpowered teenager with a lot of naivety, she tried to do something about them.

-KPhoebe

For sure, the art in this was WONDERFUL. And I love how Supergirl and Wondergirl, despite both having blue eyes and blond hair, actually LOOK like two different women.... I really like how Supergirl is obviously a very young girl who is trying really hard to be a good hero.

-Caribou23

Which brings us to the very sad news that a new creative team has been announced for Supergirl (via Occasional Superheroine)

Crash! SMASH! KABOOM!

(sorry for the interruption, that was my house blowing apart from the sheer amount of despair and rage inside my brain)

However, that doesn't mean that you shouldn't still write to DC (if you haven't already) and tell them how much you are loving Guedes' and Bedard's Supergirl. Occasional Superheroine has some tips. (If you do, please keep in mind that Guedes' and Bedard's run was always meant to be temporary. Their departure is not (necessarily) a reaction to the idiots who think that Guedes' Supergirl is fat.)



Hermione is always right, unless she's being emotional.

(needless to say, do not click any of the links unless you've finished the series or don't mind spoilers.)

Over at Capitalism Bad, Tree Pretty, Maia hones in on one of the main complaints I've been hearing about Deathly Hallows:

'I'm going to leave you because I'm putting you in danger' is my least favourite relationship device ever.....What I find so frustrating about this, is that limiting women's choices for them is portrayed as a romantic act....Loving someone shouldn't mean limiting their agency.

*e, at A Blog Without A Bicycle, ponders the newest movie villian and brings up a good point:

"...I just wish that it wasn't her (overly) stereotypical "feminine" traits that made [Umbridge] so memorable. What if a female villan was just...villanous?"

I'll admit to being one of the many who enjoyed Imelda Staunton's Umbridge, but it does bring up the classic feminist dilemma when it comes to femininity: how does one analyze the limitations created by traditional femininity, or create a feminine villian, without bashing femininity itself? Hopefully with more finesse than the movie manages to have.


Sara of Sara Speaking discovers that sometimes gems do lurk within Amazon forums, after stumbling across this excellent question about power and gender in Potterverse:

I can understand how men would be better at physical fighting than women, but simply waving a wand in the air using spells based on pure intelligence….??? Hello?????......Where was the female equivalent of Dumbledore?

Sara adds:

I find it a very valid question, especially since it’s a fantasy book. Why should it have to conform so closely to the male-dominant standards of the society we already have?....And why, oh why, is it called the wizarding world — when there is a clear gender-based differences between wizards (men) and witches (women)?

I think that fireeyedgirl sums up a lot of feminist fans' feelings towards the series as a whole when she writes that

I don't hate the Harry Potter books because of [it's treatment of female characters], I just am sad because I feel like there was potential in this series, written by a woman who is also the mother of a daughter, for a rebel girl heroine who breaks rules and succeeds.

All of which makes it that much sweeter to learn (via Jessica at Feministing) that Emma Watson, the talented young woman made famous by her role as the always clever Hermione Granger, considers herself to be "a bit of a feminist."

And on that note, Sara also points us to an illustration by makani of one of the few showdowns between female characters in the series.



"No....there is another."

There's a great article over at Jive Magazine about why "Star Wars fans hate Star Wars."

Never is this more true than when it comes to feminist fangirls who love Leia. (ie people like me) The knowledge that Leia was capable of becoming a Jedi, and yet was not the one who brought about the Return of the Jedi epitomizes why being a feminist SF fan is often a bittersweet experience.

Princess Leia was My First Idol, my first hero, the kind of princess I've always wanted to be.

She didn't just wait around and pray to be rescued.....[and] She told the scary bad guy that had us all quaking in our boots to fuck off.

And guess who else loves Leia:

“Outta my way, nerf-herders. Guess it’s up to me to save our skins—again! ZAP!”

- from the always amusing mind of Meg Cabot.

No wonder why Mia is such an awesome princess.


Also, fellow Star Wars fan Sarah (Still Life With Soup Can) made some cool shirts for herself at Cafe Press and was surprised when other people bought them. I'm not surprised that the most popular are her Girl Revan shirts mocking "LucasFolk['s decision] to go and ruin the fun by declaring "Canon Revan" to be a light side male." Revan being a playable character in various Star Wars games, for the two people other than me who are unfamiliar with the name.



"It Slices, it Dices, and Makes Julienne Preacher." - And Other Sharp, Shiny Objects

Yes, I know Buffy's signature weapon was a wooden stake, but let's face it, we all loved her best when she was wielding something sharper than the pointy end of a picket fence. Which may be why Grace's summation of the best and worst of Buffy at Heroine Content features Buffy with a sword, not a stake. Like me, Grace

didn't watch Buffy the Vampire Slayer when it was first aired...[does]not believe the show deteriorated when it moved to the UPN.... [and] loved it from start to finish...

she adds

All that being said, I've never seen anything on television so in need of feminist and anti-racist analysis as Buffy. The show gives a whole new meaning to the phrase, "so close but so far away."

At 100LittleDolls, Shions_Glasses also reminds us that sexism often goes hand in hand with racism. (warning: spoilers for Rogue Galaxy within)

Of course the only woman of color in the game has to hail from a "backwards" tribal jungle planet. .....On top of that, her bow is pretty worthless in combat.

Obviously, Lilika deserves better clothes, a better backstory, and a better weapon. XD

A sword, maybe? ; I


Amber Night finds yet another fantasy game with sword-wielding women sporting unlikely armor.

in the world of WAR, do they just go for the legs? ....You could make an entire suit of normal armor just out of her leg armor. Which…you know…probably would have been a good idea, given that her guild seems to be short on armorers able to craft from the crotch up.

Meanwhile, Tekanji uses a picture of a sword carrying girl to demonstrate (at Shrub.com) the dangers of assuming that your good intentions will mean your message is clear, even when the context is ambiguous. (I'm not going to quote the posts because it's more of an audience participation experiment. Just follow the links. It will take you to the girl and her bloody sword and explain who she is.)


"We rule Terabithia, and nothing crushes us!"

Alice, at Wonderland gives us some pictures of the incredibly awesome woman who won BlizzCon's costume contest, and her kickass getup.


BomberGirl (Girl in the Machine) talks about why she loves Heather from Silent Hill:

Throughout her story, we come to root for Heather. She's not perfect; she has flaws, from her short temper to the freckles on her face. She stands as my most favorite video game character of all time (just take a look at my icon!). And here at Girl in the Machine, game developers hand us so much to be negative about, and it feels wonderful to celebrate the positive aspects of women in games.

Kotetsu gives favorable reviews to two recent anime movies, Paprika and Toki wo Kakeru Shoujo. Regarding the former, she writes:

One thing that I love about Paprika, however, is the heroine....Like in all of Kon's movies, a woman takes center stage. Sure, there are lots of male characters, and sure, they're important - but they're only important in the sense that they interact with and support the heroine. It's almost the complete opposite of most Hollywood (and Japanese) movies.

Lyle, at Crocodile Caucus lets us know about an interesting possibility on the upcoming season of Supernatural:

Unfortunately, one thing that’s always kept me from fully getting into Supernatural is the show’s WiR-ness......Now, an interview with series creator Eric Kripke gets me excited about Supernatural for the first time. There’s no money quote, but, at the least Kripke shows an awareness of the problem and seems like he’s looking to correct the course.

Lastly, I'm apparently not the only one that adored Spider-man, Fairytales #1. Pervyficgirl writes:

I love this comic. Possibly I read it six times. Possibly I will be sharing with my eight year old niece. Something I dearly wish I could do in good conscience with Black Canary or current Wonder Woman.

Also, it is implied that Peter is going to make his Spider-costume out of the remains of MJ's red hood. Awwwwww. I love you, Peter Parker. You wear your strong woman's clothes.

"It's just so illogical, you know, about being a Smurf... what's the point of living... if you don't have a dick?"

The latest version of the Smurfette Syndrome is brought to us by the new Transformers movie. Ragnell eloquently rants:

Why is being a girl so fucking special? Why is it that every other fucking robot has a male fucking voice and no one questions why they have gender coding but the fucking second you bring in a female voice and god forbid you put it in a feminine color you have to suddenly explain why everyone has gender?

Amen!



And the next time someone tries to argue that it's all because girls don't like action and explosions and the like, feel free to spit out the stats from a recent study that says otherwise. Mighty Ponygirl (from Feminist Gamers) summarizes:

While the numbers still show that boys play more videogames than girls, the gap is not as wide as people would like to believe: while 2/3 of boys reported playing a violent video game at least once a week, so did a full 1/3 of girls interviewed. This means that even the remaining 2/3 of girls who play videogames may still play violent videogames, just not as often as once a week.

On a more "high-brow" note, Eleanor at Ambling Along an Aqueduct has some thoughts on why there don't seem to be as many female SF writers:

I think there is a double prejudice operating here. One is a prejudice against the life sciences as opposed to physics and engineering.....

The other, of course being that it can't really be "hard" SciFi if it was written by a woman. (Women being soft and gooey and all, I guess.)


Charleanders at She's Such a Geek! asks us to help Free Julie Delpy!. She also asks:

Why does Steven Spielberg get to make dozens of increasingly braindead films, when Julie Delpy doesn’t get her shot?

Good question!



On a similar note, while the statistics are not about Science Fiction/Fantasy in particular, gillpolack points us to some interesting, but depressing, stats on gender in movies:

72% of speaking character parts are male;
83.5% of crowd scenes are male;
83% of narrators are male.

Ouch. I can't imagine the stats are better when one looks at just scifi/fantasy.

(note: the link to See Jane's research seems to be broken. Their site is currently being reworked, and that may be why. I'll try fix the link when/if I can.)


At Feminist SF - The Blog! lizzard let's us know that

Juno Books’s Paula Guran is looking for stories for Warrior Women [a reprint anthology]...Amazons to warrior princesses to space cadets—strong women who meet the challenge of fighting the good fight.

If you have any suggestions - send them in!


I'll admit that I don't know much about LiveJournal, and many of the postings about the recent controversy over LJ banning various fandoms and fanfiction journals has left me more confused than enlightened. However, Mastor Erestor has some strong words to say on the subject:

"Obscenity" is the perfect tool to weed out everything that doesn't fit in a nice, clean, straight, male-dominated and preferably white world.

(sigh) Isn't that always the case.


Ahh! Curse Your Sudden But Inevitable Betrayal!

Bellatrys, at Nothing New Under the Sun, takes one for the team and reviews the first two Gor books. Her reason?

After about the fifth or sixth reiteration of the (usually-male-made) claim that "the first ones weren't so bad, the misogyny and male dominance stuff didn't come in till later," I resolved, in my Chaotic way, to challenge this dogma and put it to the test.

What she finds is scary in so many ways.


While I'm sure everyone knows by now just why the lamentable Gor series is getting more dicsussion lately, it should also be noted that, as J. E. Remy (Die Wachen) points out, apparently

Dark Horse feels it not only appropriate to support the subjugation and victimization of women by republishing this long out-of-print work, but to market it to “all age groups.”

(emphasis mine)

Remy's posts critiquing Dark Horse's decision also include all kinds of contact information in case you want to write letters to the parties involved.



Because I cannot end this on a bad note, I leave you with 1) Space Invaders Against Sexism!

(Yes, it's from kotaku - but it's space invaders against sexism! - and it's via Jade Reporting. I think......It's been a long couple of days.)

And 2) a reminder that Ragnell is still looking for someone to host the 17th carnival.

That's all folks, thanks for coming!

Gimmie Gimmie Gimmie

How did I miss this ?!?!?!

I was rummaging around Mo Willems site (because I have an idea/manuscript for a kid's book and I wanted my fav's advice on how to edit it and market it) and I ran across this:

Q. Just ignore the name and listen. I LOVE your pigeon books.....when will plush pigeon,knuffle bunny, and leonardo be out....?--Kuzco Bang

A. ....By Toy Fair in early 2007....Wow, that's a name alright.--Mo

What? WHAT!? WHAT?!?!?!?!?

Why haven't I seen them. I MUST SEE THEM. I MUST HAVE THEM!!!!!!!!!

They have a plush Pigeon that says "Let me drive the bus!"



MUST HAVE

And Leonardo is puppet!

Where can I buy????????