The Problem With Feminism Lite

I'm not yet done watching all of the Christy episodes, but it's already pretty clear where the shows version of feminism fails.

The best example is in A Man's Reach, the episode where Christy helps Rob Allen prepare for a test that could win him a scholarship to Fordham University. The subplot of the episode revolves around Zadey Spencer, the daughter of Fairlight Spencer and a fellow student in Christy's class.

Zadey is a foil for Rob Allen. While Rob has a tremendous talent for the written word, Zadey is gifted in math and science. Rob faces prejudice from a culture that sees high literature as unmanly and unproductive. Zadey must deal with a society that not only sees her talents as unfeminine but that also often fails to believe that she even has them.* Rob is on the cusp of adulthood; in the end he decides to stay in Cutter Gap because of the responsibilities he has to the family that depends on him. Zadey is just entering adolescence, which means she is suddenly misbehaving and acting selfishly in ways that she never even did as a young child. Rob story ends with him deciding who he is and the kind of person he wants to be. Zadey's story is all about how adolescence is a time of uncertainty of identity, and the confusion and possibilities that brings.

Zadey's subplot also revolves around Christy learning a lesson as well (of course). In this case, it's that becoming too focused on any one student makes it hard to see when others need her too. Zadey's is hurt at being left out of the older girls giggles and confidences. Which is made worse by Christy ignoring her need for validation and purpose in her schoolwork. This is resolved at the end with Christy apologizing to Zadey, admitting that she still has a lot to learn as well, and promising to help her study when it's her turn "to go to college."

The first part of Christy's apology to Zadey, where she does the actual apology and admits that she is still learning herself, is very sweet in the sappy way that makes me love the show. It's very nicely done in that "gosh I wish I always knew the perfect thing to say" way.

It's the last bit that turned the light bulb on for me as far as exactly why the show gets feminism wrong.

Because, of course, knowing what it's like to female and talented at math and science at the turn of this century, my first thought was "And who's going to offer her a scholarship to study math - in 1912?!?!"

It's not entirely impossible, but it's a lot less likely than Rob Allen's offer, and that was rather unrealistic itself. (Rob Allen entered a writing contest. He didn't win, but one of the judges was a professor at Fordham University and wrote offering him a scholarship - if he passed the test.) It's not like newspapers hold math contests, and science projects usually take a lot more capital than writing stories.

But there is no mention of that, or reassurances from Christy - who has just spent the past episode pressuring Rob Allen to go to college - that she will take the time to try to find a scholarship for Zadey Spencer, who, unlike Rob, is expressing interest in college long before an out of the blue offer to go.

Most of all though, lets not mention that the University that was so generous to Rob won't even admit women until Christy's great-granddaughters are ready to matriculate.

This is the false feminism that makes people think that feminism is no longer needed. The feminism lite that pretends that Christy promising Zadey Spencer an equal amount of time in tutoring her for college scholarships equals an equality of opportunity for Rob Allen and Zadey Spencer, even back in 1912.



*No one tells Zadey that she can't do math, but there are lots of comments about how girls aren't good at math. In Zadey's presence.

The way Zadey reacts to this felt very real to me, but I was frustrated with how the adults handle it. Fairlight has a great handle of how adolescence is affecting her daughter, but her response to Zadey's confusion about her gender identity and her frustration at sexism is to say (to Christy) that John (Zadey's oldest brother) being a boy isn't ever going to change. And while Fairlight and Christy can see that the age difference is part of why the older girls are leaving Zadey out of their talk of boys and the like, they fail to see or address how the girls use Zadey's lack of gender conformity (minor as it is, Zadey's never shown as a tomboy) to imply that her problem is not the age gap, but instead that she isn't "girl" enough.

Also, they left out the scene where the other kids ignore Zadey's right answer. And instead put in a scene where Zadey strives to get Christy's attention every time she knows the answer, which is always. Which, again, not very realistic. If Zadey actually did that regularly, she never would have been friends with the older girls in the first place; she would have been shunned long ago.

Zadey is much too old to want to always be the one that's called on in class. She's already at the age where her issue is that her peers don't respect her talents, not that she feels shunned by the teacher. Which Christy does make mention of at the end, but she suggests that the solution is that she calls on Zadey more in class in order to let her show off, which isn't really the problem that needs addressing or the solution that Zadey needs.

Comment Policy - Or Lack Thereof

I've never felt it necessary to have any kind of comment policy. Mostly because hardly anyone reads this and even fewer people bother to comment.

But this is the second time in as many months that a newbie (in the case of #2, a drive-by, most likely) has left a comment that discusses a woman's looks in a way that is absolutely irrelevant to the point of either my post, their comment, or both.

So, oh wise and benevolent ones that are gracious enough to grant me the honor of your fine words, to you I say:

It's not just that you insult how a woman looks, or that your manner of doing so make you look like a petty high school bully, it's that you say it as if it has any bearing on the worth of her actions or words.

It's not just that you are crude in your appreciation of a woman's looks, nor just that you try to preempt criticism of such behavior (on a feminist blog, no less) by being "cute." It's not even that you think I give a shit, it's that you have the audacity to come to my blog and make it clear that you don't give a shit about anything that I have said at the same time.

I'm hardly above caring how people look. I have the tag "pretty boys" for a reason.

But there are plenty of places where you can discuss to your hearts content whether or not a woman turns you on. Most of the places I have to spend my time in are places where you can discuss to your hearts content who turns you on.

Just in case the "feminism" in the subtitle didn't make it clear - this blog isn't one of those places.

If you want to comment here on how a woman looks, it had better be relevant to the actual post in question*. Otherwise, expect deletion without prior warning.

*gushing about grand dames like Tyne Daly - even if it's include looks - are considered on topic. Comments that subsist of nothing more than "All I know is that Kellie Martin is hot. Hubba-hubba." do not. Especially when the only sentence in the post about Kellie Martin herself is on her acting abilities.

Random Thoughts on Christy

Was I really already in high school when I first watched this? I didn't think I was so old.

Wait, high school? God, I was so young back in '94.

Speaking of being young, it's really weird watching it now and getting what the doctor is saying from the start, rather than agreeing with Christy all the time. I mean, I get where she's coming from too, but he seems like less of a cynic/stick in the mud this time around. And not just because I know how it ends.

Watching the scene where they talk about the moonshine in the pilot episode is very different when one has yet to ever drink, versus watching while drinking a White Russian (with ice cream, yum). As a member of Friday Night Live, you are pretty much just thinking "alcohol bad!". As the Kalua drinker, you mostly just feel bad that they had to make do with moonshine.

I find it intersting that this is hailed as such a Christian show. I know it's mostly because the book is (books?) but this particular adaptation? Aside from Christy's internal monologues and her conversations with Alice, not a resounding endorsement for organized religion. There's a reason Christy picks the doctor over the preacher.

Also, there's just too many parallels between the doctor's arguments in favor of the moonshine and the situation of the modern poor, whether it's farmers in Afghanistan growing poppy or kids in "inner cities" that get involved in selling drugs. That's not really a perspective that the bulk of those that speak for American Christians and "family values" really get behind.

Wow. I can't believe I liked the preacher more than the doctor the first time. He's so young! Oh wait, that makes sense. And Christy is really young too.

Wow is this a surprisingly feminist show.

No wonder why I liked it. Now I feel less bad that I completely missed Buffy when it first aired. I'd recently abandoned fantasy/scifi for romance novels and historical fiction, and horror would not be on my list of things I liked for several more years. Buffy completely passes me by until the sixth season or so when I caught a rerun of Hush on FX. But Christy was totally on my radar.

Why is it feminist? Well, aside from the part where Christy not only says that she wants to do more with her life than keep home and have babies, the show lets her qualify that statement by explaining that it's the lack of purpose of being a female member of (high?) society that feels pointless to her, not the raising kids part. The mothers in Cutter Gap are all shown sympathetically (if at times cowed) and often as important members of the community, albeit not officially.

Most importantly though, there is Christy's relationship with Alice, which is just awesome. How often do we get to see older women mentoring younger women? Especially when the women are not related? This is a professional mentoring relationship, which grows to include the spiritual and emotional. I just love it so much. In no small part thanks to the fact that Tyne Daly is perpetually awesome. And Tyne Daly with a shotgun, more than awesome.

(Oh, wait, I need to add Cagney and Lacey to the list of dvds I need. I think I'm going to forgoe getting cable - or even any kind of broadcast television - when I move, and just spend the money on buying shows on dvd instead.)

And Christy's friendship with Fairlight? Very cool as well. I mean really, how many shows that aren't about Housewives or girlfriends in the City (and their relationships) do we have on now that center around a female character, her job and the people around her, with half of the main people around her being female?

Yes, sadly, there is a reason why it was shortlived. And Kellie Martin's sophmore acting wasn't it reason. (I think Kellie Martin can act, but Christy was not her best work. Not the pilot anyway.)

I hated David's sister the first time I watched this. Now I just hate him. Manipulative, self-centered asshole. I doubt she had very many other prospects, and what kind of a bitch would people think of her if she left her poor brother to fend for himself in the wilderness? As I said, not resounding endorsement of organized religion.

PS - it's hot. I hate trying to get to sleep when it's hot.